2.0 Robot 2018 Movies Counter HD : Vision 2018 for sure? Incredible chief Shankar has been a man of a party. He generally thinks beyond practical boundaries and acknowledges them with magnificence. Making a motion picture with an enthiran (robot) as the hero has for some time been really taking shape. Presently, we are getting the opportunity to watch the continuation of the broadly prevalent sci-fi escapade with hotshot Rajinikanth making an arrival as both the virtuoso researcher Vaseegaran and the much-cherished enthiran Chitti. We should perceive what kind of experience this film gives us with 2.0 survey.
The motion picture begins with the suicide of an old looking man. Just like the snare component with all the Shankar Moviescounter pictures, or besides any film worth our well deserved cash, the scene makes a touch of interest and afterward the scene rapidly comes back to the lab of Dr. Vaseegaran. Rajinikanth is dashing in the looks, yet the job is quelled contrasted with his mass picture as the spotlight ought to legitimately be on Chitti for whom we truly go to the theaters.
Vaseegaran, just like his wont, is supported by a humanoid robot, played by the bewitching Amy Jackson who is each piece humanoid looking. All of a sudden, the cell phones of the general population get wings actually and are mightily removed by an obscure power. Individuals freeze. To keep the police occupied, a cell phone seller is executed by an obscure aggressor. As the occasions like continue occurring, the administration bring Vaseegaran obviously. He proposes the since quite a while ago expected thought. To revive Chitti the robot – the conceivable superpower to battle the Fifth Force.
At the point when the city is amidst an assault from a goliath flying creature made of the cellphones, Chitti enters the scene with his typical verve and stands as the last line of guard for the people. Could Vaseegaran unfurl the puzzle behind the birdman? How Chitti help stop the birdman? What is the thought process behind the assaults of the birdman? The responses to every one of these inquiries frame whatever is left of the story.
A. R. Rahman’s tunes come up short on the punch of the equivalent in Enthiran(the correlation is fundamental, tragically) however they fill the need. They are hummable. However, it is out of sight score that the maestro exceeds expectations. The BGM takes the effectively great film to the significantly more elevated amounts. Shankar abstained himself from including melodies which is eventually useful for the film.
The cinematography by Nirav Shah is fabulous. The visuals are strikingly rich. The visual impacts which showed up somewhat off the check in the trailer are more than phenomenal when viewed on the extra large screen in 3D. It is a genuine achievement in Indian Cinema. Srinivasa Mohan and his group merit a major praise. The last 40 minutes of Enthiran was hailed as a visual ponder. Presently, we have to coin another word to portray the last 40 minutes of 2.0. The creation scale by Lyca Productions is deserving of Shankar’s vision.
At long last
Every one of the stresses of the devotees of both Rajinikanth and Shankar are impacted out of the entryway by the initial thirty minutes of the leonflix film. It may not resound as Enthiran did but rather 2.0 is each inch an authority in filmmaking. You will be engaged more than ever with a genuine 3D encounter. It is a vera level true to life encounter not to be missed. Simply book your tickets and be a piece of the history that is unfurling before our eyes.